All songs written, composed, recorded, and mixed by Brent Eyestone at The in Dallas, Texas and Tracking in Fredericksburg, Virginia.
Mastering: Ben Mellott for Nothing But Noise
Photography: David Holloway, Wade Gosselin
Art, Design, and Layout: Brent Eyestone
Et in Arcadia Ego - Live insects recorded spring 2007 behind the King's Crest place in Stafford, Virginia. The rest was recorded and arranged in Harrisonburg, Virginia in April of 2008.
The Warmth of the Shallows - Originally appeared in "The Book of Habidabad Vol. 2," a limited art book and CD released in the fall of 2007. If I remember correctly, it was recorded during spring/summer of that year.
Upon the Oak Doors of the Whitechapel - Recorded and sorted at the Belmont Hotel in Dallas, Texas in June of 2008.
The Machinelike Registration of Proximity, A Calculation of Worth, And the Decision to Eviscerate - All three recorded at home in Argyle Hills in June of 2008.
There is Nothing Tender in My Resignation - Early incarnations created for inclusion on Souvenir's Young America's "An Ocean Without Water" album. Extended part then appeared in "The Book of Habidabad Vol. 2." I might have tinkered with it since then. Or not.
Peers Become Prey - This is a drastic reinterpretation of a textural piece I did for a television show a couple years back. Additional elements and arrangements were recorded and formulated at the Belmont Hotel in Dallas, June of 2008.
Ode on an Urn - Recorded and arranged at the Belmont Hotel in Dallas, Texas in June of 2008.
Return to the Red Room - This is a remix/Aughra interpretation of a track originally put together by my dear friend Mike Haley for his Wether project. It initially appeared on a split he did with Datashock where their tracks were on a tape that came with a bonus 3" of my Wether remix and Tobert Knopp's remix of Datashock. It also appeared on a micro-run tape (like 50) titled "Midway Monsters."
Mastering: Ben Mellott for Nothing But Noise
Photography: David Holloway, Wade Gosselin
Art, Design, and Layout: Brent Eyestone
Et in Arcadia Ego - Live insects recorded spring 2007 behind the King's Crest place in Stafford, Virginia. The rest was recorded and arranged in Harrisonburg, Virginia in April of 2008.
The Warmth of the Shallows - Originally appeared in "The Book of Habidabad Vol. 2," a limited art book and CD released in the fall of 2007. If I remember correctly, it was recorded during spring/summer of that year.
Upon the Oak Doors of the Whitechapel - Recorded and sorted at the Belmont Hotel in Dallas, Texas in June of 2008.
The Machinelike Registration of Proximity, A Calculation of Worth, And the Decision to Eviscerate - All three recorded at home in Argyle Hills in June of 2008.
There is Nothing Tender in My Resignation - Early incarnations created for inclusion on Souvenir's Young America's "An Ocean Without Water" album. Extended part then appeared in "The Book of Habidabad Vol. 2." I might have tinkered with it since then. Or not.
Peers Become Prey - This is a drastic reinterpretation of a textural piece I did for a television show a couple years back. Additional elements and arrangements were recorded and formulated at the Belmont Hotel in Dallas, June of 2008.
Ode on an Urn - Recorded and arranged at the Belmont Hotel in Dallas, Texas in June of 2008.
Return to the Red Room - This is a remix/Aughra interpretation of a track originally put together by my dear friend Mike Haley for his Wether project. It initially appeared on a split he did with Datashock where their tracks were on a tape that came with a bonus 3" of my Wether remix and Tobert Knopp's remix of Datashock. It also appeared on a micro-run tape (like 50) titled "Midway Monsters."
